Michael Jackson's life story is a captivating tale of rise to stardom, but the biopic 'Michael' takes a different approach, focusing more on the spectacle than the substance. The film, directed by Antoine Fuqua, presents a feel-good narrative that sticks closely to the established Jackson family mystique, making it more of a celebration than an in-depth exploration of the artist's complex life.
The movie begins with Michael's early years in the Jackson 5, showcasing the harsh realities of his upbringing under the tyrannical rule of his father, Joe. The portrayal of Joe, played by Coleman Domingo with heavy prosthetics, is a stark contrast to the innocent and magical character of young Michael, played by Juliano Krue Valdi and later Jaafar Jackson. The film emphasizes the family's struggle and the looming threat of violence, with Joe's relentless pursuit of stardom putting his children's well-being at risk. This depiction adds a layer of drama and tension to the narrative, making it more engaging.
One of the film's strengths is its attention to detail in recreating the music-making process. The audience gets to witness the creation and performance of iconic songs like 'Off the Wall' and 'Thriller'. This section of the movie is a thrill for fans, as it showcases the genius of the King of Pop and the impact of his music. However, the film's approach to the controversial second half of Michael's life is notably absent, with the third act axed due to legal complications.
Jaafar Jackson's performance as the grown MJ is a standout, nailing the voice, mannerisms, and dance moves that the public knows and loves. The use of CGI to bring Bubbles the chimp to life adds a touch of whimsy, but some critics argue that the film never delves deep enough into the complexities of Jackson's character. The portrayal of Michael as a real-life Peter Pan, too pure and innocent for this world, aligns with the narrative the estate has always tried to sell.
Despite its shortcomings, 'Michael' is a crowd-pleaser, with packed theaters and a promising box office future. The film's ability to entertain and captivate audiences is evident, even if it falls short of providing a comprehensive and honest portrayal of the artist's life. The ending, with the debut of 'Bad' in 1988, leaves room for a potential sequel, as Lionsgate aims to capitalize on the film's success.
In my opinion, the film's strength lies in its ability to entertain and celebrate the music and legacy of Michael Jackson. While it may not provide a complete and nuanced picture of his life, it successfully captures the essence of his rise to stardom and the impact of his work. The film's approach to myth-making is a reflection of the public's fascination with the artist, and it serves as a testament to the enduring appeal of the King of Pop.
